A Cappella Group Jukebox Make Good on Own
Like all popular music groups, the Jukebox Trio has its own successful formula. Presenting a rich mix of classic covers and original material in an open, friendly, accessible style – with two singers and a human beatbox – it’s hard not to enjoy the experience of seeing them play. “I don’t know any other a...
Moscow: the new home of jazz
From hard bop to the new school, jazz has found a haven in post-communist Russia. Moscow’s jazz scene is a creature of many faces. Take the comical shenanigans of one big band in a dive of an expat bar, with all members clad in matching mustard-yellow tassled jackets and an old hippy guitarist who looks...
A Jazz Leader for the New Era
Hailed by none other than Bill Clinton as one of the world’s greatest living saxophone players, Igor Butman is an icon of Russian musical life. Born in St Petersburg in 1961, he took up the instrument at 15 with encouragement from his jazz aficionado father, a keen musician who worked by day and gigged by...
In Conversation with Chris Potter
Potter’s album Gratitude (Verve, 2001) saw the saxophonist pay eloquent tributes to his key inspirators on the instrument—Sonny Rollins, John Coltrane, Joe Henderson, Eddie Harris and Ornette Coleman included. When asked which of his own contemporaries Potter draws on, he spoke of a mutual cross-pollination they all use to raise the bar. “I really enjoy...
Not-So-Modest Mussorgsky in Moscow
Jazz.com tries to cover the whole world of jazz, and not just the famous players at the name clubs. This is more than a quest for brotherhood and goodwill, but also driven by a realization that some of today’s most exciting developments are happening outside the US, especially when talented artists mix the jazz sensibility...
Tim Garland – Libra
The adventurous two-disc Libra features saxophonist Tim Garland heavily entrenched in trio territory. He is joined by rising star Gwilym Simcock on piano and versatile percussionist Asaf Sirkis, with guest appearances from zany guitarist Paul Bollenback and London’s Royal Philharmonic Orchestra. Expansive, well-structured pieces are the record’s mainstay, with a tasteful sprinkling of standards. Known...
Moscow City Jazz Festival 2008
City Jazz Festival December 4-5, 2008 16 Tons Moscow, Russia Erik Truffaz December 4 Swiss trumpeter Erik Truffaz, a moderately well-known figure on the international tour circuit, surely counts Russia as a favorite gigging destination. This concert, in a popular pub-cum-music-club called 16 Tons, saw him welcomed by a highly enthusiastic young crowd–a far cry...
London Jazz Festival 2008
London, England November 14-23, 2008 Ken Vandermark, Barry Guy, Mark Sanders The Vortex November 14 In a meticulously unplanned concert, the music often seemed like a sonic battle between these three renowned improvisers. Sporting a black-fitted tee and a hairstyle that could be straight from the Police Academy films, Vandermark was the dominant voice. On...
Manuel Mengis: Freedom First, History Later
The convoluted side lies in how he twists and turns his ideas, viewing and presenting them from a variety of angles. Many of the tunes possess an element of classical complexity–they are structured in movements, sometimes subtly connected and phasing gradually in and out, but often with clearer lines drawn. “For me the music is...
Alex Wilson – Salsa Con Soul
On his sixth solo album, the award-winning Wilson looks more towards commercial influences than previous work. It would be easy for a man of Alex Wilson’s pianistic talent to cruise along comfortably, picking up sideman or session gigs here and there and continuing to operate in the time-honoured medium of standard small jazz groups. But...
Omara Portuondo: 77 Not Out
At 77, Omara Portuondo is an elder stateswoman of world music. Here she tells Frederick Bernas about her new album, Gracias, and reflects on a long life of innovation, cultural enterprise and funny stories. With a musical career spanning 60 years and counting, Omara Portuondo is far from finished. “It is never enough, there is...
Taking Off: James Morton
As the Bristol scene becomes increasingly self-confident and highly talented players pour out of the city seeking wider exposure, Frederick Bernas profiles the latest to make a splash, saxophonist James Morton. “I don’t class myself as a jazz musician,” says James Morton. This 26-year-old saxophonist’s philosophy reflects the Bristol music scene that has nurtured him....
